FUTURo0003

I work between image, sound and embodied fiction, constructing environments rather than objects. Music, photography and performance function as porous systems — thresholds where perception destabilizes and the body renegotiates its limits of what is considered real. I build worlds that are fantastical yet raw, atmospheric yet grounded.

Creating is a way of transforming reality, especially when navigating personal trauma or collective memory. My work engages with silence, erasure, and the impossibility of documentation. It addresses bodily, psychological and intergenerational experiences; landscapes altered by conflict, disaster or loss; social, political and cultural wounds. I am drawn to invented or speculative archives, and to acts of resistance, repair and resilience.

Conceptual, documentary, experimental, staged or mixed-media approaches coexist within my practice. With over fifteen years of engagement in photography, I approach the image not as representation but as a charged surface — a site where organic textures meet synthetic frequencies, where nature is not opposed to technology but entangled with it. Visual language becomes speculative terrain: neither documentation nor spectacle, but a field of potential.

Through FUTURo3000, experimental soundscapes and futurist visual architectures converge into immersive situations. These works move between ritual and simulation, intimacy and abstraction, proposing healing not as a fixed state but as vibrational recalibration — an oscillation between human and machinic, memory and projection.

Supported by grants from Musikfonds, my practice resists disciplinary containment. It proposes an expanded artistic universe where genre dissolves and experience becomes an ongoing process of translation — from frequency to form, from image to sensation, from presence to possibility.